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Thameside Radio 90.2 |
These are the original information sheets written in 1978 by Thameside Radio, less than a year after it started with new photos. Much of the technical information changed over the intervening years (for example the use of Dolby FM was dropped, a new mobile studio developed, transmitter power increased) but it's still interesting... THAMESIDE RADIO INFORMATIONIf you listen to Thameside Radio you may be interested to know some background information about the station. If so, these sheets should answer some of the Hows? and Whys? and Whos?
THE HISTORY(Or Is Fact Stranger Than Fiction?) The idea of starting a radio station to broadcast music on a Sunday evening was first thought of in early 1977. There were two of the present staff at that time, Bob Edwards and Tony Lloyd. They were both involved with a South East London station called London Music Radio. This station closed in mid 1977, and left its members free to start new ventures, one of which was to be Thameside. It was now that the hard work had to start. The transmitters had to be built, studios finished, and aerials constructed, and all on a budget that wouldn't last an IBA or BBC station even a single day. While this work was in progress decisions had to be made regarding the programming. The first choice to make was the station name. To the outsider this may seem a simple task, but it is always a difficult choice to decide on a relevant name that is easy to say on the air and is not already in use. The obvious names such as Capital, City, London, etc, were already used by other stations, and eventually the name chosen, as you already know, was Thameside Radio. It was felt that this well reflected the area of transmission. The time of the transmission had to be decided. It was realised that there was no music on the radio after 7pm on Sundays, and so this time was chosen for the programmes to start. This meant that listeners could listen to the 'Top Twenty Show' on Radio 1/2 VHF, and then at 7pm could turn the dial slightly to tune to Thameside's frequency. The music format was chosen after speaking to many people in the intended listenership age range, i.e. about 14-30 years. It was found that while 'Top Twenty' singles, such as played on Radio 1, were obviously popular, there was also a great interest in album music. With this in mind, it was decided that the musical content of the programmes would consist of a mixture of popular album tracks and quality singles, together with the occasional oldie. By now it was November, the studio was finished, the transmitters had been built and tested, and aerials had been constructed. The area of transmission was to be NorthWest London, and various suitable sites were found. Everything was now ready to go on the air, and the first test transmission was scheduled for November 27th from 7-8pm. At 6.30 the Thameside crew assembled beneath the recently erected aerial, set up the transmitter and the rest of the equipment needed for a transmission, and waited for 7pm to come. At the top of the hour, the red switch on the transmitter was switched to 'on', and Thameside Radio was at last on the air. For the next hour music was played with taped announcements asking people to write with reception reports to the mailing address. The following week another test transmission was made at the same time. It soon became clear from the reports that people were sending in, that not only was a good signal being received in the primary reception area, i.e. North West London, but that also many people in other parts of London were able to listen. The following Sunday, 11th December, at 7pm regular programmes commenced with the 'Bob Edwards Programme' and the now familiar words: 'Do you ever have difficulty finding a radio station playing music? Oh Yeah.' Then here's a tip. Tune to Thameside Radio on 90.2MHz VHF'. Thameside Radio is now a regular feature of the VHF band on a Sunday, and, it is hoped, will continue for a long time to come.
DJ PROFILE BOB EDWARDS Bouncing Bob is Thameside's main DJ. His tongue in cheek attitude and friendliness towards his listeners has made him popular with both the staff and listeners alike. He has been in radio for many years despite the fact that he is still in his teens (only just - Ed). Bob started on one of Britain1s most successful clandestine stations. Here he was working alongside many professional DJ's, some of whom, since the station closed down, have moved on to the new commercial stations (leaving poor old Bob behind - Ed). He always says that the experience he gained on this station was the greatest influence on his future work in radio. Bob has been involved with many other stations, including reading the news on Radio Jackie, and latterly presenting programmes on the popular station - London Music Radio. It was after this station closed that Bob, not liking to keep out of radio for long, helped initiate Thameside. Bob's greatest interest is in the station's listeners; he judges the success of the programme by the listeners' response to the broadcast. He also insists on replying to listeners' letters personally. He has certain strong views on programming too. He believes that listeners should be given what they want, for example, many listeners complain that DJ's talk over the records too much, so Bob doesn't. Perhaps it's because of Bob's great care over his programmes, that has built him into the popular DJ that he is today.
TONY LLOYD (Written
and distorted by Tony Lloyd) Tony is Thameside's dynamic news reader,
and does programmes, in his own inimitable style, when persuaded to. His
natural wit, exuberant personality, coupled with his undeniable charm
has made him an immediate hit with Thameside's listeners. Tony believes
that Thameside should continually mould its format to a shape dictated
by its listeners, and he spends many hours talking with listeners and
introducing their ideas into the programming. He started on the same station
as Bob Edwards, but became mainly interested in the background and production
work involved in running a radio station. He first discovered his news
reading ability when a colleague, who works at Radio Trent, felt that
he was unable to read the news, and Tony had to stand in for him.
THE STUDIO
Thameside owns several identical FM transmitters all built
to the same high technical standard. They have a completely solid state
design with 8 transistors and 9 integrated circuits assembled on three
specially designed printed circuit boards. The output power is about 50
Watts, which is fed into aerials employing slant polarisation. This type
of aerial means that you should get equally good reception whether you
listen at home or in the car.
RECEPTION Thameside has to broadcast with relatively low power, and so the strength of the signal you receive is low compared to the BBC and IBA. This means that, for some listeners, the otherwise superb quality of the programmes might have a fairly high level of background noise. But all is not lost … if you listen on a portable radio you must fully extend the aerial and swivel it round, and up and down, until the best signal is obtained. If the programmes are still noisy, try moving the radio around the room because sometimes a movement of only a couple of feet can make an amazing difference. Also reception is normally better higher up, so it is best to use your radio in an upstairs room. Some portable radios have a socket for connecting an external aerial, and if all else has failed, then, short of buying a better radio, an aerial in the loft or on the roof will help. If you listen on a tuner, i.e. part of a hi-fi system, then the chances are that you will already be getting good reception, since the majority of these tuners are very sensitive. However, if this is not the case then, as with portable radios, you can try altering the position of the aerial, but of course this is difficult if your aerial is on the roof. If this fails, then you will have to buy a better aerial or tuner, a very expensive solution, or put up with the bad reception. Radio reception is a vast subject and it has only been possible to cover a few points in such a short space. If after reading these notes you are still having any trouble with reception, then do write to us with your specific problem (please enclose a S.A.E.) and we'll do our best to answer it. By now you should know a bit more about Thameside Radio. Remember that,
along with the music, the most important thing to everyone at Thameside
is audience participation. We have phone-in competitions, requests, and
phone up a listener on air in each programme, so why don't YOU take part
next week. WE are also keen to know what you think of the programmes and
the station in general, so why not drop us a line. We do take notice.
Finally, all of us at Thameside Radio hope you have enjoyed reading these sheets, and that you will continue to listen and enjoy our programmes. © 1978 THAMESIDE RADIO, No.1 GROSVENOR PARADE, LONDON W.5.
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Special thanks for mp3s, writing in or sending pictures to (amongst others) , Carol H, Olaf Star, Jessica D, Pyers E, Warren S, Stephen Sykes, John G, Mike E, itrilby for Radio Eric, Alex Wright, Aidan S, Dave "The Birdman", Alan Dolby, Rachel McIntyre (for Terry Anderson), Al at fmthen.com for the Thameside Radio Revisited podcasts, Terry/Decibel90 and Steve Scribbler. I know that a lot of Thameside listeners and friends would like to get in touch with each other again. If you are happy to have e-mail forwarded do write in. Even if you don't have any new information it would be great to hear from you.
Martin Wood |
(Written
and exaggerated by Bob Edwards)
Thameside's programmes come from our own custom-built radio
studio which is based on a 12 channel slider control mixer. All the circuitry
is solid state, of course, and is built in modular form. 
